Publisher: Lynn Wolf Enterprises Cover Artist: Kerry Ashton Release Date: April 7, 2019 Length: 120,000 words / 348 pages (incl. 14 pages of B&W photos from the authors private collection) Heat Rating: 5 flames Genre: A Gay Memoir featuring M/M Romance & some hardcore sex Tropes/Themes: Forbidden Love, Rape, Mormon Religion, Coming Out, Forgiveness, Overcoming Religion, Police Surveillance & Arrest, Conversion Therapy/Electric Shock Treatments, 16-Year Battle with Rare Cancer
Note: There are many erotic passages—most are hard core, erotic and explicit passages, all M/M. Many deal with scenes of sexual humiliation, degradation, group scenes, S&M and/or the gay male leather scene.
The first paragraph of Kerry Ashton’s new memoir explains a lot: “I told this story once as fiction in the 1980s, but this time I tell the truth. I even tell the truth, in #MeToo fashion, about being violently raped by another man when I was 18, with a knife held to my throat—a secret I kept from everyone, including myself, for over 40 years. The rape, like other experiences I endured while a student at Brigham Young University, where I came out in the early 1970s, had a profound impact on my later life. But this story is not so much about my rape or my coming of age at BYU, as it is about the lifelong effects of shame itself, not only about how I internalized and inherited a wounding shame from my Mormon upbringing, but also how I eventually unshamed myself. It is about the journey of a lifetime, finding spiritual growth, self-discovery and healing along the way, while encountering many miraculous events that pushed me forward through darkness toward the light.”
Telling about his experiences during his four years at BYU—the rape, falling in love for the first time, police surveillance, harassment and arrest, while enduring three years of conversion therapy and electric shock treatments—provide the structure of Kerry’s memoir. But intermittently, the author shares memories from his childhood, growing up Mormon in Pocatello, Idaho, and later from his adulthood, as well as from his professional career as an actor and writer, both in L.A. and NYC, describing encounters with Barbra Streisand, Elizabeth Taylor, Bette Davis and Julie Harris, while detailing his experiences with Tennessee Williams and his brief affair with Stephen Sondheim. Lastly, he talks about the 12 years he spent in therapy, about his 16-year battle with cancer, how he eventually rid himself of the shame internalized from his Mormon youth, sharing glimpses into his sexual journey from his innocent youth through S&M and the gay leather scene in mid-life to the loving monogamous relationship he now enjoys.
I told this story once as fiction in the 1980s, but this time I tell the truth. I even tell the truth, in #MeToo fashion, about being violently raped by another man when I was 18, with a knife held to my throat—a secret I kept from everyone, including myself, for over 40 years. The rape, like other experiences I endured while a student at Brigham Young University, where I came out in the early 1970s, had a profound impact on my later life. But this story is not so much about my rape or my coming of age at BYU, as it is about the lifelong effects of shame itself, not only about how I internalized and inherited a wounding shame from my Mormon upbringing, but also how I eventually unshamed myself. It is about a lifetime journey of spiritual growth, self-discovery and healing, including many miraculous events along the way that pushed me forward through the darkness toward the light.
Growing up in Pocatello, Idaho in the 50s, in the heart of Mormon Zion, was like growing up in Oz, where Mormons kept me on a religious path the way the Munchkins told Dorothy to follow the yellow brick road. Most American families felt pressure in those years to appear like the perfect U.S. family seen in TV shows likeFather Knows Best and Ozzie and Harriet. But in our insulated Mormon community in southeastern Idaho, the expectations of appearing like a perfect family increased dramatically.
With a population of 35,000, Pocatello was Idaho’s second largest city in the 1950s. It is now twice that size if you count the suburbs. Home to Idaho State University, Pocatello was and still is very LDS—as members of The Church of Jesus Christ of Latter-Day-Saints call themselves.
In Pocatello, like all LDS communities, church membership divided into wards. My family and I were members of the Pocatello 15th Ward, one of several wards within Alameda Stake, and among the more than 40 LDS wards in Pocatello. As LDS Brothers and Sisters, we proselytized Gentiles—as we preferred to call non- Mormons—but we never socialized with them, since the Prophet had warned us “to avoid the mere appearance of evil.”
To survive in my LDS family and Mormon community, I had to pretend to be a perfect Saint the way my parents did. Both of my parents were raised dirt poor during the Great Depression. Mom was barely 17 and Dad only 20 when they married during his military furlough, prior to Dad shipping out with the Navy to serve in the South Pacific during World War II. After Dad returned from the war, my parents had four babies in six years. The firstborn, my oldest brother Dennis, was expected to be the responsible one. When he couldn’t live up to all that was expected of him, he became the family scapegoat. My sister Denise was assigned the role of Daddy’s little girl, his perfect Mormon princess, and the sweetest of all of us. Craig would later make Dad proud as a popular athlete in school and in his later and highly successful career in public education. Without knowing it, Dad had claimed the first of his three children as his own. So when I came along, being the youngest and Mother’s last chance, she claimed me entirely for herself. As my New York therapist noted decades later, “Whether you were a boy or a girl, she knew she would name you Kerry, since she expected you to carry and meet her emotional needs from then on.”
Both of my parents had dormant and repressed shame boiling within each of them. Sometimes, as my siblings and I made our way down the LDS yellow brick road, my parents’ shame came sailing at us like the fireballs thrown by the Wicked Witch.
I don’t know how old I was when Mom lay me out naked on a changing mat, as I waited for a new diaper. I only remember that when she wiped down my genitals, my “little pee-pee,” as Mom called it, sprang to attention. “Oh, dear!” Mother exclaimed, removing her hand from my penis as though she had just touched a hot poker. What Mommy had been doing to my pee-pee had felt pleasurable. I wanted the feeling to continue, but when I reached down with my right hand, to rub the spot that had felt so good, Mom smacked my hand away. “No, Kerry Lynn!” she said. “You mustn’t do that. That’s naughty!”
My little hand stung and I cried, but the real pain was in the shame I had just internalized. It was sinful to give myself pleasure! The next time I remember being shamed happened when I was five. My father Allan Ashton, an insurance salesman, was 35 at the time. My mother Millie Jane Ashton was a 32-year-old homemaker. At 11, my oldest brother Dennis was already a bully. At ten, my sister Denise was the saintliest among us. At seven, my brother Craig already fit in the way he was expected to. And I was Mom’s “baby.”
Getting in our car after spending hours in church, I announced my true feelings from the backseat: “I hate church. It’s so boring!”
Enraged, Dad turned to face me in the backseat. Looking directly into my eyes, he gave me a dire warning: “Kerry, I don’t ever want to hear you speak that way again about our Church!”
“I’m sorry, Daddy,” I whimpered, already repentant for my out- spoken honesty, behaving like the best little Mormon boy in the entire world. Yet, it was not my father’s rage but the look of disapproval on my mother’s face that had me cowering.
My mother was the only source of love I knew or had ever known. I could no more live without her approval than the earth can live without the sun. Clearly, I was trained from an early age not merely to be her baby boy, but to behave like her exclusive property. Not that Mom or anyone in my family would have seen it that way; her complete commandeering of my psyche and all that I was, of my very soul, was not something that she was aware of consciously, any more than any member of my family was consciously aware of their assigned roles in our dysfunctional family system. But the fact that I was my mother’s personal slave is true nonetheless.
Mom had trained me well: A lifted eyebrow meant she was displeased with me, that my only source of love and companionship might abandon me. At five, I had already learned the truth: To survive, I had to lie; I had to become inauthentic and false.
When I was six, I performed in a church play with my family on the stage of our LDS ward’s reception hall. It was my first appearance on stage and I was nervous. Some little girls giggled backstage as Mom stripped me out of my clothes for a quick costume change. Naked and mortified, I was Mother’s property to do with as she pleased. Once dressed, I stifled my tears and made my entrance holding my owner’s hand.
That same year, our family visited my Aunt Ruth and her family at their home in Ogden, Utah. Aunt Ruth had a little girl named Carrie who was just my age and, like me, loved to sing and dance. After Carrie got up on the kitchen table and sang, “On the Good Ship Lollipop,” we all applauded.
Wanting me to have my turn in the spotlight, Mom encouraged me to sing “If I Were King of the Forest” from The Wizard of Oz, since I did a good impression of Bert Lahr’s performance, complete with dialogue and dance steps, and I always got rousing applause. “Go on, Kerry Lynn!” she said, nudging me onto the kitchen table. “Sing the Cowardly Lion’s song!”
I got up on the table, but when I sang, “It’s hard believe me Missy, when you’re born to be a sissy,” Dad yelled, “Stop singing that song!”
“What?” I asked, surprised as everyone else.
“Get off that table, young man!” he hollered. “No son of mine is going to perform on a table like a … like a …”
“Like a what?” Mom interjected, getting up in Dad’s face.
Dad shouted back at her, “Millie Jane, pack up! We’re leaving!”
Before I knew it, we were in the car driving home. Sitting in the backseat, I knew Dad was ashamed of me, but I didn’t understand why. “Why didn’t you let me finish my song, Daddy?” I asked.
As I began to cry, Dad warned, “That’ll be enough, Kerry Lynn! I don’t want to hear any more about it!” Dad gave my mother a warning glance. “This is your fault, Millie Jane!”
“My fault?” Mom retorted. “Why? Because I stand up for him against you and all your bullying?” Clearly, I was the reason for their fight, but I still didn’t understand why.
As my parents fought over me, I cried even more. “Stop crying, young man,” Dad shouted, “or I’ll give you something to really cry about!” But the more I tried to repress my tears, the more I sobbed.
“That’s it!” Dad shouted, pulling the car to the side of the road. “You’re getting a beating, Kerry Lynn!”
Wild with shame, Dad jumped out of the car. Deciding that his belt was not harsh enough, he went along the road and tore a two- by-four from a nearby fence. Bringing the board back with him, he dragged me out of the car.
“Allan Ashton!” Mom exclaimed. “You are not going to beat our child with that two-by-four! I will not allow it!” But Dad already had my pants down and was paddling me when Mom got between us. “Allan, that’s enough! What is wrong with you?”
Undeterred, Dad continued my beating as the drivers passing by looked on in horror.
That incident was so emotionally painful for me that I blocked out any memory of it. It was only after years spent in therapy decades later, and only after my sister Denise shared with me her memory of the entire event, that I finally faced the truth.
Regardless of what had made my father so angry that day, he made it clear to me then that I was a source of shame for him, one he either had to ignore or obliterate.
The Holy War, as I have come to think of it, began on a hot day in early September 1971, the day I left Pocatello to drive four hours south to Provo, Utah, to attend Brigham Young University. As in all wars, whether holy or unholy, it would not be without its casualties.
I spent the morning packing things in my ‘56 Chevrolet, parked in the spot on the lawn where our driveway would have been had my parents ever had the money to pave it. A yellow-and-bronze, two- door coupe with cream interior, a huge cream steering wheel, and black dashboard, the car had class, which is why I named it Oscar— after the Academy Awards I hoped to win one day.
Raised in Pocatello, Idaho as a Mormon in the heart of Mormon Zion, Kerry attended BYU in the early 70s, where some of the most dramatic events recounted in his memoir took place.
Always interested in pursuing a career as both an actor and writer, Kerry wrote his first play, BUFFALO HEAD NICKELS at the age of 17, and published it at 18. Since then, he has published several works, among them most prominently THE WILDE SPIRIT, a one-man play with music, in which Ashton starred as Oscar Wilde, and also wrote the play’s book, music and lyrics. The play won Kerry critical acclaim for both his writing and performance, and three 1977 L.A. Civic Star Awards for Best Actor, Play and Direction. The play ran for three consecutive seasons in Provincetown, MA from 1990-1992, and was produced Off-Broadway in 1996, winning Kerry a National Award of Merit from ASCAP. The author now makes his home with his partner Victor Ramirez in South Florida. For more info, visit www.KerryAshton.com.