Title: A New Way to Dance
Author: Sean Michael
Release Date: June 20, 2017
Heat Level: 4 – Lots of Sex
Length: 65,000 Words | 262 Pages
Genre: Contemporary Gay Romance, M/M Romance, BDSM
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Dancer Seth Avery has it all. He’s at the top of his game as a dancer and he’s in love with famous dance director Fayden DelMonaco, the man who is his sub. Seth’s whole world is turned upside down when Fayden dumps him in the nastiest and most public way possible. To compound matters, he’s in near fatal car crash shortly thereafter that leaves him severely injured.
Brook Turner is an ex-lawyer turned micro-brewer, baby-brother of Seth’s best friend Lizzie. The two met briefly before Seth’s accident, but it’s when they meet again six years later that they get a chance to act on the attraction they’d initially felt.
With Brook’s help, Seth begins to heal not only from his residual physical injuries, but also from the emotional ones inflicted by Fayden. Will it be enough to keep the two of them together?
Join Seth and Brooke as they find a new way to dance together.
“Did you see USA Today, man?” Julian plopped down, eyes wide. “Fayden is… Well, he’s not naming names, but…”
Seth looked at one of his oldest friends and arguably the best choreographer he knew and tried not to growl. “I saw.”
He saw. His brother saw. His mom saw. His neighbor. Fayden’s sister. Ernie at the fucking convenience store where he bought his daily diet energy shot saw.
“World-Famous Director Escapes from Abusive Sex-Slave Relationship! Says He Feared for His Life!”
Ten years they’d been together. He’d been nineteen when he’d met Fay. Nineteen and horny and amazed that a man almost twenty years his senior with money and power and the most beautiful eyes on earth would want a dancer in the chorus.
“It’s all lies,” Julian told him. “You should sue him.”
“Just drop it, Jules. It’s no big deal.”
Just a huge, life-changing, world-altering deal.
Julian’s eyebrow went up, the man not saying another word but still speaking volumes.
“What do you want me to say? I… I don’t have anything.” He had an apartment. The cops had let him take his car and computer—after they’d copied the hard drive for evidence.
“Honey, I’m on your side here.” Julian hugged him.
“I know. I do. Thank God for that.” Who else would he have called from the jail? His lawyer was Fay’s. His friends were Fay’s. Julian was it. His saving grace.
“Come on out with me tonight. There’s a new bar that we haven’t ever been to—he won’t be there.”
“No. Not yet. I’m not going out right now. I need to recover.” Seth needed his space.
“You need someone to take the bad taste of that asshole out of your mouth,” Julian said.
Seth blinked, then started laughing, deep, full belly laughs that felt so good. God, this sucked so hard. “I caught him with another man. That new dancer. Dylan.”
Dylan was nineteen now. Ah, the irony.
“Shit, he’s old enough to be that boy’s grandfather!”
“Yeah. Well, you know…” Seth was going to lie down and die, simple as that. Okay, he wasn’t, but he was going to pretend to, mentally.
“You think we should warn Dylan what a predator asshole he is?”
“Poor, innocent, victimized Fay?” He shrugged. “You wait. I’ll stop getting jobs soon.” It was inevitable.
Julian shook his head. “That’s not fair.” Seth noticed that his friend didn’t say it wasn’t going to happen.
“Life’s not fair. I have to work out and head home. I have an audition for a music video in the morning.” Hopefully he’d make a good impression. It would be good to put some money in the bank before the jobs started drying up.
Julian hugged Seth tight. “If there’s anything I can do, honey…”
“I love you, honest. Maybe we’ll meet for brunch on Sunday? Somewhere new?” Somewhere the paparazzi and Fayden wouldn’t be.
“You got it. Text me the deets.”
“Absolutely.” He grabbed his coffee and headed out of the little coffee shop outside of the studio he’d rehearsed in most of his adult life.
He was going to lose that too, he’d bet. Everything was going to just disappear because Fay had decided to trade him in for a younger model and was doing it in the nastiest way possible. Seth could feel everyone staring at him, could hear people talking about him.
He couldn’t stand it anymore and it was only going to get worse.
“Hey. Seth. I…” Lizzie Bean came up, took his arm, the leggy dancer as tall as he was. They’d worked together a hundred times at least. “I don’t know what to say except that I love you, man, and people suck.”
He made this weird half-tickled, half-surprised sound. “They totally do. God, they do.”
“Come have supper with us? Mel is grilling chicken.”
Mel was an amazing cook. And it was tempting, being with people who wouldn’t look at him like he was a monster.
“Please. Come on. You look exhausted and I promise to just feed you foods with no real calories and ply you with wine.” She put her hand on his arm. “Please.”
“God, you’re so demanding.” Seth nodded, though, found a smile. “Let’s go.”
She beamed at him and slid her hand into the crook of his elbow when they started to walk. Lizzie and Mel lived not that far from the studio in a converted loft with the most amazing roof garden full of potted trees and flowering plants and several large raised areas where they grew vegetables.
Mel was big into farm-to-table cooking and tried to grow as much of his own produce as he could.
Lizzie told him a story about one of Mel’s nephews—the man had far too many nieces and nephews to keep track of—who had gotten a skateboard for his birthday and become the terror of the neighborhood.
Seth tried to laugh in all the right places. Every so often he’d catch sight of himself in a window, just the barest hint, and he’d sigh. He’d really thought Fay was his Mr. Right. They’d been into the same things, the chemistry had been off the charts, they were uber-compatible in bed…
♡ Guest Post & ♡
♡ Exclusive Excerpt ♡
Thank you very much to Stories That Make You Smile for hosting me today!
How do you develop a story idea? Do you always use the same method? Specifically, which do you develop first in your story building, the characters or the plot?
The answer to this question is going to be different whether I’m writing for a specific call or for something more general. When there’s a specific call, I try and work out what my general idea is, then I find the characters among the many living in my head. Then I hope that as I write they don’t veer off left when I need them to go right in order to fulfill the call. There has been more than one story that I’ve started for a call that has wound up being used for something else, and I have to restart the original story.
If I’m simply starting a story – I have the characters show up first, and then they tell me their story. I might have a general idea of where it’s going to go, but often I’ll be surprised by where the characters take me. That’s what happened with Brook and Seth. Seth showed up first, nattering away at me about this terrible thing that had just happened to him, then Brook showed up and offered sympathy to Seth over his nasty public dumping. Then, totally without any plan on my part, Seth was in a car accident that totally ended his career, or at least what was left of it.
This is why I don’t plan – the characters laugh at me and do whatever they’re going to do on their terms. It’s always a wonderful journey and I hope you enjoy taking the one that Brook and Seth took me on with me.
Smut fixes everything
His cane tapped the floor, following the beat of the music that poured from the Bose. He liked the rhythm, like the way the syncopation worked. Seth grabbed his phone, made a note on the title of the song. His Intro to Music Theory class would enjoy that.
“Would you like another coffee, Dr. Avery?”
He chuckled, still getting used to his new title. “Yeah, a no-fat latte, please, thanks, Matt.”
“You want something to nibble on with it?”
“No. No, thank you.” Seth had to work hard to keep himself from getting soft. “Just the coffee.”
Little Matt was a darling, charming, sweet, eager to please. The man would make someone a wonderful sub.
A shadow fell across his table. “I’m sorry, do I know you?”
He looked up to find a handsome man with warm grey eyes and a half smile gazing at him.
“I don’t think so.” He did remember Lizzie’s baby brother, but Seth knew how different he looked, how different he was.
“No? Well do you mind if I sit with you anyway? You’ve got this whole table to yourself.” Brook waved his free hand around, and sure enough, it looked like the place was packed.
“Absolutely. Have a seat.” He shifted his cane out of the way, made sure his laptop wasn’t taking too much of the table. He couldn’t believe that Brook was here in Ottawa, standing here as if it were normal.
“Thanks.” Brook sat, still looking at him, and he saw it the moment Brook recognized him. “You’re Lizzie’s dancer friend. The one who had the accident.” Brook frowned. “I’m sorry. I heard it was pretty bad.”
“Yes. It was.” The wreck, the cameras, the news. Fayden. Everything had been brutal. “Seth Avery.” He held out his hand.
“Brook Turner.” Brook shook, hand firm. “When did you make the move up to Ottawa?”
“Five years ago. I needed a break.”
Brook nodded. “Yeah, it was… yeah. I can’t imagine.”
He offered Brook a smile, but what was he going to say, really? He had scars, there had been twenty-six surgeries over two years, his life had changed. “How is Lizzie doing?”
Brook grinned, clearly happy with the change of subject. “She’s Lizzie. A force of nature as usual. She’s teaching now, and she’s fierce at it.”
“Excellent. I should email her.” It wasn’t going to happen. Seth didn’t speak to anyone from the old days.
Meet the Author
Often referred to as “Space Cowboy” and “Gangsta of Love” while still striving for the moniker of “Maurice,” Sean Michael spends his days surfing, smutting, organizing his immense gourd collection and fantasizing about one day retiring on a small secluded island peopled entirely by horseshoe crabs. While collecting vast amounts of vintage gay pulp novels and mood rings, Sean whiles away the hours between dropping the f-bomb and pursuing the kama sutra by channeling the long lost spirit of John Wayne and singing along with the soundtrack to “Chicago.”
A long-time writer of complicated haiku, currently Sean is attempting to learn the advanced arts of plate spinning and soap carving sex toys.
Barring any of that? He’ll stick with writing his stories, thanks, and rubbing pretty bodies together to see if they spark.
Sean’s available for interviews, by the way. He can always be talked into, well talking about himself. Just drop him an email.
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