To Love and To Cherish is told entirely from Nash’s POV, and I thought it would be fun to pick some scenes to redo from Myles’ (Emmitt’s) POV. Here’s a link to the category including all of the scenes.
So far I’ve started at the beginning and gone in order from there. My plan is to show the first two chapters from this different perspective. Scene 3, below, picks up where I left off last time:
On the twelfth floor, the charge nurse greeted them as they approached the nurses’ station. “Nash, Dr. Burlingham, good. Your new patient is on his way up now. We’ve got 1218 set up already.”
“Thank you.” Myles gestured with his head for Nash to follow. He straightened his back and walked swiftly to the designated room.
The last thing he wanted to do was alienate Nash. Much as he knew it would be ethically imprudent to pursue the man considering their working relationship, he still esteemed Nash as a nurse and didn’t want one day’s tactless mood to affect Nash’s opinion of him.
He ushered Nash inside, then closed the door behind them. Nash tensed, but waited silently as Myles gathered his thoughts. Or tried to, anyway.
“I want to apologize,” Myles said.
One of his grandfather’s favorite quotes came to mind. Benjamin Franklin had once said “Never ruin an apology with an excuse.” It was good advice, and Grampy had recited it often over the years.
Nash’s jaw dropped briefly at Myles’ words. Apparently he hadn’t been expecting that.
Myles continued. “I left you with the impression that I was displeased with your past performance. I want to reiterate that that is not the case and, in fact, couldn’t be further from the truth. Indeed, if I was given a choice of nurses for my more critically injured patients, I would choose you every time. I shouldn’t have taken my bad mood out on you.”
There. No excuses. Or was there? Damn it. Maybe he shouldn’t have mentioned his bad mood, although that was probably obvious anyway. No doubt the apology was too formal, as was his tendency, but hopefully the sincerity was clear.
Nash blinked a few times then nodded, and his posture relaxed from the stiff pose he’d taken upon entering the room.
“Apology accepted. Th…thank you.”
If Nash was going to elaborate, he didn’t have the chance because the door opened, and a post-op nurse wheeled a patient-occupied bed into the room. Nash got busy checking the side rails and situating his new patient, then looked expectantly at Myles.
Myles reverted to professional-mode and reviewed, in great detail, his instructions for the patient’s care.
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Blurb: To Love and To Cherish
Will Nash find love again? Of course he will. Will he go about it in the usual manner? Now that’s another story entirely.
Jilted by his fiancé two weeks before their wedding, Nash Marino’s outlook on life in general, and love in particular, is jaded. After months of couch-surfing, Nash is fed up. He’s sick and tired of his living conditions, worn out by the demands of his nursing job, and despairs of ever finding love again. In fact, he doesn’t think he’s capable of true love. Monogamy, commitment, companionship, and regular sex…that’s all he wants, and the sooner, the better.
When Nash crosses paths with a like-minded man who’s also in need of a live-in nurse for a beloved relative, Nash figures all his problems are solved. Matters are complicated by a freak accident and amnesia. When Nash’s marriage of convenience scheme is muddied by notions of love after his memory reboot, will their plans go awry, or will Nash’s new outlook on life be just what the doctor ordered?
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Buy-Links: To Love and To Cherish
Excerpt/Info/Review Links | Goodreads
JMS Books, LLC | Kindle US | Kindle UK
iBookStore | Barnes & Noble | Kobo | BookStrand | Blio
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4 thoughts on “Getting a Little of Myles’ (Emmitt’s) POV – Scene 3”
Awwww, Nell <3 Emmitt
You did the apology scene justice from Emmitt's POV too. Loved it, how he questioned himself and the greatest apology of all times.
Thank you! 💕
It is such a lovely treat to see these scenes from Emmitt’s POV, too! Thank you! <3
Thank you! 💋